![]() He had this big, 15 ips master tape box under his arm, and I said 'Have you had a cup of tea?' and he said 'Erm, yes', and I said 'Do you want to come upstairs?' and he said 'Yes, okay'. "I saw him in reception after I came back from lunch and I was talking to somebody and I saw a figure in the corner on the bench, and I suddenly realized it was Nick. In an interview for the Nick Drake fanzine Pynk Moon in 1996, Island's press officer David Sandison recalled that Drake's arrival at the record company had certainly not gone unnoticed, although there had been no indication that he was delivering them a new album: Ĭontrary to popular legend that Drake dropped the album off in a plastic bag at Island Records reception and then left without anyone realising it, Drake delivered the master tapes of Pink Moon to Chris Blackwell at Island. In only two late night sessions, with just his voice and acoustic guitar, Drake created what is considered by many to be one of the "most influential folk albums of all time". and simply and quietly recorded half the songs. With the studio being booked during the day, Drake and Wood arrived at the studio around 11:00 p.m. The album was recorded at Sound Techniques studio in London in late October 1971 with just Drake and Wood present. When Drake reached out to Wood in 1971 expressing his interest in recording another album, the ensuing process was significantly pared down compared to Drake's other two albums. Although Wood primarily focused on the engineering of an album, he often contributed as a producer. Boyd produced Drake's first two albums with Wood acting as sound engineer. Wood has worked with other artists such as Fairport Convention, Cat Stevens, and Pink Floyd, and he often worked in partnership with record producer Joe Boyd. In October 1971 he approached record engineer and producer John Wood, who had worked with Drake on his previous two albums and who Drake felt was one of the few people he could trust. Īfter a brief hiatus in Spain spent at a villa belonging to Island Records' head Chris Blackwell, Drake returned to London refreshed. And in his only interview, published in Sounds magazine in March 1971, Drake told interviewer Jerry Gilbert that "for the next I had the idea of just doing something with John Wood, the engineer at Sound Techniques". In his autobiography, Joe Boyd, producer of Drake's first two albums, remembered that as they were finishing the recording of Bryter Layter, Drake had told him that he wanted to make his next record alone. #Sebadoh the d man rar freeProblems playing this file? See media help.ĭrake appeared to have made a decision before recording his third album that it would be as plain as possible and free of the numerous guest musicians that had been employed on Bryter Layter. He was not depressed during the writing or recording of Pink Moon and was immensely proud of the album." Recording Īlthough critics often associate Drake's music with his depression - especially the perceived melancholy of Pink Moon - Cally Calloman of Bryter Music, which manages Drake's estate, remembers it differently: "Nick was incapable of writing and recording while he was suffering from periods of depression. ![]() In 1971 he saw a psychiatrist and was prescribed antidepressants, which he was reluctant to take due to the stigma associated with depression and his fears concerning the medication's interaction with marijuana, which he smoked regularly. Additionally, Drake had isolated himself in his London apartment and was suffering from depression. Nick Drake's first two albums with Island Records, Five Leaves Left (1969) and Bryter Layter (1971), had sold poorly, and combined with Drake's reluctance to perform live or engage in album promotion, Island was not confident of another album from Drake. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |